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Arden Yang

For this issue we compiled a reading list of suggestions from our friends and colleagues. Grahame Shane describes incursions made by alternate voices and views of the city in Postmodern Cities and Spaces, Joe Day argues for a broadening of architectural vision in a decade of pragmatism in his review of the Dia Art Foundation Discussion Series, Kevin O’Brien poses alternatives to erudition in his review of Compulsive Beauty, Tom Marble describes the materialization of a screenplay in the mind of a designer and Arden Yang presents the architectural imaginings of a movie producer. In closing this issue, we remember the passing of a good friend.

“… Where the Eames House, however, differs from its nearest predecessors, the steel-framed buildings of Soriano , and also its possible successors, the house of Koenig, Craig Ellwood and others in the Los Angeles area, is that its composition is […]