IN THIS ISSUE: Jennifer Siegal and Todd Erlandson document the collage of pre-fabricated parts in a Mexican village off Highway 1. Grahame Shane critiques the Koolhaas show at MoMA as an essay on the problem of dispersion, the media, architecture and the metropolis. Peter Samarin explores the operations of a computer program as a new set of conventions for the creation of architectural form.
Rem Koolhaas and the Post-Modern City
The Alchemy of the Ad Hoc
Jennifer Siegal and Todd Erlandson
Photographs by Jennifer Siegal
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